When Friend entered her life, things changed because he was persuasive, knowledgeable about the world around them, and was aware of the fact she badly wanted someone to love her. When he walks he wobbles almost suggesting that he may have hooves as feet, just like the devil. Connie is a starry-eyed 15-year-old girl. Keep track of passages, symbols, images, or scenes that deal with your topic. From the golden color, to the painted phrases and number, all act like a flame attracting the moth towards him.
The short story where are you going, where have you been is about a teenage girl who is, vain, self-doubting and affixed in the present. She is very jealous of how beautiful of a young woman Connie is becoming, and that gives her a reason to tear her down. He first appears when Connie abandons her friend to go with a boy named Eddie. GradeSaver, 3 August 2015 Web. She finds a great deal of pleasure in sexuality, listening to music and hanging out with friends boys. Connie first encounters Arnold in a parking lot while she is out with her friends, but she does not yet know who he is. The realism and characterization with which Oates makes this point in the story have garnered much praise.
Summary begins by introducing , a typical, if vain, 15-year-old girl with a habit of constantly checking her reflection in mirrors. It is at his direction that Connie places the phone back in its cradle and walks out to her fate. I can see through the eyes of the teenagers. Words: 417 - Pages: 2. This characterization makes Connie seem immature. Words: 525 - Pages: 3. Since Connie is a rebellious fifteen year old girl that fights with her parents and constantly wants to do her own things, she is acting like a normal teenage girl that is of course not yet fully mature.
As she exits into a new world, Arnold Friend comments on her blue eyes. Make sure you have really proven your point before moving on to the next one. The young girl, Connie, is hell- bent on not becoming like her mother or sister. It is summer vacation, and she is spending her time either with boys or daydreaming about them. She wants to find out what is his real intention, why does he pretend to be a teenager, because he is a man of thirty; why does he try to look taller and many other questions occur as well. His car, with its joke about female drivers, speaks to this wider culture, where only men are allowed the independence afforded by driving.
Oates again uses carefully thought out word choice to prognosticate that we could see Friend later in the story to possibly confront Connie in a derogatory way. After a while, she hears a car come up the drive. Even if your final assertion is that the novel depicts a cruel, repressive, and therefore harmful society, acknowledging and responding to the counterargument will strengthen your overall case. When that information finally becomes clear to them, readers do grasp a better understanding of her actions and can justify why it is that Connie actually leaves with Arnold Friend. In Connie's case, her darkness and her temptation took the form of Arnold Friend, a manifestation that allowed her to fulfill her darkest desires when she was afraid to do it alone. The story is about an older man whose intention is to hurt teenage girls. Words: 593 - Pages: 3.
He takes advantage of her and inflicts her with profound terror. Connie yearns not for a particular boy but for a saccharine vision of romance; though she is becoming more aware of her own sexuality, she remains innocent about the particulars of sex. The relationship with the sister is also unpleasant because the mother praises June more often because there are nine years of difference between Connie and Jean; in addition, their sibling rivalry is still in existence. Literary essays make unexpected connections and reveal less-than-obvious truths. Words: 1300 - Pages: 6. The two works, published within thirty years of one another, may be compared through the common theme of appearance versus reality, which is furthered through analogous instances of sexual symbolism, and contrasted through dissimilar settings and plot lines. Ellie asks if Friend wants him to pull out the phone, and Friend tells him to shut up.
Her need for boys attention makes her pride herself as a shinning example of beauty. Your image in society is a substantial part of your identity. Arnold Friend uses her name, arousing her suspicion, since she never shared it. Where Are You Going, Where Have You Been?. To accomplish that goal, not only must one examine the text closely in order to obtain an effective psychological profile of the character, but they must also delve into the actual psyche of a character such as Connie in order to have a better comprehension of her actions.
Copyright © 2012 by Pearson Education, Inc. Connie flees into the kitchen but is increasingly disoriented. What Leads to the Creation of Subordinate-Group Status? But instead in return, she is threatened that her family would be hurt if she called for help. He had taken a kind of simplicity of. This unfamiliar land could represent the afterlife, as Connie crosses through a spiritual threshold.
You should define your terms right up front, in the first paragraph after your introduction. The story ends ambiguously, with Connie leaving the porch. The picture makes him look like a ' pumpkin', which is in close association to the jack-o'-lantern. Men, the inhuman and immoral predators make women their prisoners. That is, she now has to face the difficulties that may have been looking for her through Friend and that becomes clearer when she leaves with him.
He manipulates her and deceives her. Connie is constantly worried about her image and what other people think of her. It really reminded the readers how difficult life can be for a teenage girl because of all the pressure and feelings that come along with these angst-filled years. He lies and tells her he's around her age. As she heads towards Arnold Friend, Connie can see herself walking, dissociating from her body. From the beginning of the story, the reader sees Connie has a strong desire to make her early transition into adulthood.