Antigone, sister of the former king Polyneices sees Creon as a man with to much power who is making poor decisions and acting against the Gods. In the play Antigone by Sophocles, we meet two characters so similar they willingly fight to the death because of their personalities and beliefs. From the opening moments of Hamlet, the audience knows that Hamlet must avenge his father's death. Both Antigone and Creon display unbelivable fortitude when their positions on this are questioned. Creon and Antigone did not see eye-to-eye the entire play due to extreme differences. Marx and Aurelius are a perfect example of different philosophical writings with different interpretations.
Antigone and Oedipus The King equally display the dramatic genre of a tragedy by combining, among all things, pride, death and punishment. I believe that Oedipus the King was more intensely tragic and I think that if I were to see a the plays Òback to back,Ó Oedipus would be the more likely one to rivet true emotions from me. Going against one's home is a big no-no in Greek culture, so he also feels his action of denying the burial is honorable. Specifically, Theban King Creon initially acts friendly and respectful when Teiresias the blind prophet shows up. Creon, Antigone, and Oedipus have different personalities and roles, but they also share similarities.
But instead of acknowledging the tragedy of the situation and burying them both, their uncle, Creon, King of Thebes, honored Eteocles as a defender of the city. Creon on the other hand, as stated above, did not sympathize with his citizens. Using his power, in both plays he tries to convince Creon that the execution of Antigone will not bring only sadness to others, but tragedy to his own life. Antigone is full of fury. Creon and Antigone also demonstrated a similarity in their loyalty to their own views. Having as many differences as they did, it made them uniquely similar in numerous ways.
Creon and Antigone had many similarities despite their enormous discrepancies. They live in groups, tend to stay with their relatives, form into familial and kin groupings similar to human clans, highly gregarious and in general associate with other members of their herd. The tragedy of Antigone in both plays is inevitable as the choices she makes foreshadow her outcome and affect the people around her. Recognition is defined when the main character changes from ignorance to awareness. She intends to be caught and punished. Antigone's actions in the play showed that she was not going to wait for others to help her, but she was going to take initiative and act as an independent person. But he honors those same god-give … n rights for perceived Theban loyalists.
Specifically, Theban King Creon receives the warning from Teiresias the blind prophet that the royal household will suffer if Creon does not bury Polyneices and free Antigone. Antigone puts the Torahs of the Gods in front of the Torahs of the province s. Antigone has no job working by her ego either. Next, Creon demonstrates an inner power in both plays by viewing his decisions based upon being a king rather than a villain. Creon and Antigone did not give in to others' views, but relied on their own for survival. She's the most heroic and the most tragic individual in the play. All along, Oedipus was the one without the ability to see things as they really were.
Meaning one should be able to act against the law in extreme cases to honor the gods. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. Antigone is characterized as a rebellious girl, who turns into a martyr, and just lost both her brothers, Eteocles and Polynices, in a war between the city-states of Thebes…. Later in the story Antigone is arrested for burying her brother and Ismene comes crawling back to her. The play takes place circa 442 B. Creon and Antigone did not see eye-to-eye the entire play due to extreme differences.
To make matters worse, Creon left Polyneices to rot outside the gates of the city. A proper burial for those killed in battle was essential for the Ancient Greeks. But he does so at the expense of cherished traditions, divine respect and public health. When Antigone first hears of the decree Creon has imposed, stating that no one is to bury the body of Polyneices, she immediately knows this is wrong, and goes straight to her sister for help. It destroys Antigone and Creon, and could have been prevented if they had only been able to think logically. I will do my part----and yours, if you will not----to a brother.
In both plays, one can see how in the end, the antagonists recognize the harm they have caused, and decide to reside in pain and agony. One sees Haemon who stands on the side of Antigone, not necessarily because she is his fiancé, but more because of justice. Moreover, both Creon and Antigone exemplified also suffered the same losses. Then show how the tragedy was inevitable or show how one side was wrong and should have changed. She stands up for her rights, so that she can give a religious burial to Polynices. But in the play Antigone stands up for her rights making her being portrayed as the male character in the play. Creon's vision of a monarch's proper role, his concept of and respect for justice, as well as his respect for the design evolve considerably by the trilogy's tragic conclusion.
The themes are the same, leaving to the tragic heroes and the audience a lesson. Instead of abiding by the law that Creon decreed. By the end of the play, Antigone, it is evident that a total of five characters have lost their lives. Creon rejects all criticism of his policies so he is most unhappy with being pinpointed as the cause of the environmental pestilence, polluted altars and wrathful gods in Thebes. Because Creon and Antigone are really utmost in their ways this can besides do them cruel and foolish people.